Curated Supernatural Horror

Rod Serling hosts a weekly anthology at the intersection of science fiction, fantasy, horror, and the deeply uncomfortable. The twist ending as a dramatic device was invented here.

Mina and her father and stepmother enter a pocket forest created by a presence that has been observing the outside world for centuries. The rules of the space prevent them from leaving.

A boy on holiday with his grandmother stumbles into a hotel conference room full of witches and overhears exactly the wrong thing.

Arthur Kipps, a young solicitor, travels to a remote English village to handle an estate. The community's fear of the woman in black turns out not to be superstition.

A woman's outdoor space becomes restricted by something that has appeared there and refuses to let her leave the property.

In 1953 Los Angeles, a Black family moves into an all-white neighborhood and finds that the terror in their new home comes from both inside and outside its walls.

They Will Kill You blurs the line between documentation and horror fiction in ways that make the threat feel present rather than constructed.

Amanda and George Hall move into a Hudson Valley house and find the property's history involves their neighbors in ways that make the fresh start complicated.

A widower inherits his eccentric uncle's glass estate, which turns out to be a machine powered by twelve trapped ghosts. Getting out requires solving it.

James and Anne are at a remote property when something begins affecting one of them in ways that threaten their relationship and their survival.

A group of stranded travelers finds shelter at Slausen's Lost Oasis, a rundown roadside wax museum. The mannequins there move on their own, and the man who runs the place has telekinetic powers he's not using kindly.

Four directors, four very different approaches to the same source material. At least two of the segments are legitimately great.

August 2006. As a reserve caretaker on patrol, you check phototraps and monitor cameras — but you're not the only one watching.

A late-night motel stop goes wrong when the host starts acting strange and the place itself starts to feel less like shelter and more like a trap.

Multiple teenagers in a Connecticut suburb are each connected to a single act of violence in ways that unfold across the film.

Heather Langenkamp, who played Nancy in the original Elm Street, finds herself having experiences that suggest Freddy was never entirely fictional.

Nolan inherits a building once used as a children's entertainment venue and is forced to survive the night with its mechanical residents.